DOC. MGA. SLAVOMÍR HOŘÍNKA, PH.D.

E-mail: slavomir.horinka@hamu.cz

Web: www.horinka.cz

Phone: 234 244 141

Department:
  • Composition Department
  • Contemporary Music Section
Consultation hours: Thursday morning, after arrangement Subjects here

TRUTHFULNESS IS CONSISTENCY OF THOUGHT AND EXPRESSION.

SUCCESSES & CVS

2023
The last performance of opera So Silent Till in Oslo (Norway).
2023
Premiere of With All Strength at the International Easter Festival of Sacred Music in Brno performed by Capela Mariana.
2022
Premiere of the opera So Silent Till. A total of 12 performances co-produced by the Spitfire Company and the Berg Orchestra.
2022
Marek Keprt performed Trust in Heart in Olomouc, Guarda (Portugal) and Ostrava.
2021
Premiere of "Rejoice III" performed by the Czech Philharmonic under the baton of Jakub Hrůša
2021
premiere of the symphonic version of the composition A Pocket Guide to Bird Flight at Leoš Janáček's International Music Festival in Opava, SOČR – Ainārs Rubiķis
2021
piece FOUR was a mandatory composition at Prague Spring competition in string quartet
2020
Special Award for Czech Composition in Musica Nova Competition for composition Murmurings
2018
A Pocket Guide to Bird Flight (9'). 1.5.2018 Berg Orchestra - P. Vrábel.
2018
Songs of Immigrants for string quartet and documentary inserts (25'). Bennewitz Quartet. 24.2.2018 Elbphilharmonie Hamburg, 6.4.2018 Tongyeong Concert Hall, 25.4.2018 Rudolfinum Praha.
2017
Special Award for Czech Composition in Musica Nova Competition (Shining Wounds)
2017
Shining Wounds, soundscape composition (17'). Czech Radio 3 - Radiocustica. http://www.rozhlas.cz/radiocustica/projekt/_zprava/slavomir-horinka-rany-zarici--1721216
2016
Face, sound installation for the eponymous exhibition by Josef Pleskot (33'). www.tvarlitomysl.cz
2016
Words Without Thoughts for string quartet (10'). Prem. 9.6.2016 at International music festival Concentus Moraviae by Ištvan Quartet. 22.6.2016 International music festival Forfest Kroměříž.
2016
Trust in Heart for piano (12'). Premiéra 30.5.2016 in Udine at International music festival Risuonanze. Adele D’Aronzo - piano
2015
Aevum. SMS to W.A.M. for 3 dancers, 3 instrumental trios and percussion. Berg Orchestra – Peter Vrábel, Jana Novorytová, Zdena Brungot Svíteková, Veronika Šimková - dance, Mirka Eliášová - choreography, Vladimír Burian - digital interactive media.
2015
Chairman Prize in the Czech Philharmonic Orchestra Competition for A Pocket Guide to Bird Flight
2014
Miserere for vocal ensemble (15'). Prem. 21.3.2014 sung by Cappela Mariana broadcasted live by EBU - European Day of Early Music.
2014
Songs of Immigrants for string quartet and documentary inserts (25'). Bennewitz Quartet. prem. Konzerthaus Berlin, 1.4.2014 Kammermusik Hannover, 30.5.2014 Prague Spring Festival, 9.6.2014 International music festival Kutná Hora, 20.9.2014 Beethovenfest Bonn, 21.2.2016 National Gallery of Art Washington.
2013
Dying of Love, dialogues in a liturgical space based on the Song of Songs text paraphrased by Daniel Raus (36'). Berg Orchestra - Peter Vrábel, Helena Dvořáková, Lukáš Hlavica - beloveds, Barbora Sojková - sopr., Jiří Hájek - bar.
2012
Magnificat, cantata for two Gregorian scholas, 25 musicians and liturgical space (45'). Berg Orchestra, Tiburtina Ensemble, P. Vrábel - dir.
2010
Words of the Cross, concerto for violin and orchestra (18') on Moravian Autumn festival. Czech Philharmonic Orch - Leoš Svárovský, Sophia Jaffé - violin.
2010
Awakening (9') for violin solo. Mandatory piece for Prague Spring Competition.
2010
NUBERG prize for composition Lacrimosa
2008
Josef Hlávka’s prize for composition ...numquam excidit...
2007
OSA annual award for "the most successful young author of classical music"
2006
Psalm, symphonic movement for tenor orchestra. Czech Philharmonic Orch - Ondřej Kukal, tenor - Aleš Briscein.
2004
Generace – 1st prize for composition Shirei Ahava
2004
Gideon Klein’s prize for composition Shirei Ahava
2003
Generace – absolute winner and Janáček’s prize for composition Two Sheets from Manyoshu

PUBLIKAČNÍ A TVŮRČÍ ČINNOST

Hořínka, Slavomír. „Naslouchání prostoru jako východisko tvoření“ Opus musicum: hudební revue. Brno, 2023, roč. 55, č. 6, s. 23–43.

Hořínka, Slavomír. „Sentire ciò che è al di là...“ L'Osservatore Romano: Edizione Quotidiana del 14 aprile 2021. Dostupné z: https://www.osservatoreromano.va/en/pdfreader.html/quo/2021/04/QUO_2021_084_1504.pdf.html

Hořínka, Slavomír. „Co ucho neslyšelo...“ Dingir: religionistický časopis o současné náboženské scéně. 2020, roč. 23, č. 2, s. 47–49.

Hořínka, Slavomír. „Changing the Scale of Perception: A Composer’s View on Spatial Composition Strategies and the Spiritual Aspect of Music“ In: Ivan Moody (ed.). Enlightenment & Illumination: Proceedings of the Second International Conference Sacred Music East and West (Selection). Univerzita Karlova — Pedagogická fakulta, 2020, s. 221-243.

​Hořínka, Slavomír. „Naslouchat světu, žít hudbu“ [online]. Gymnasion: časopis pro zážitkovou pedagogiku [cit. 21.11.2019]. 2019, roč. 13, č. 2. Dostupné z: http://gymnasion.org/wp-content/uploads/2019/11/G25-web.pdf.

Hořínka, Slavomír. „Orchestrace prostoru: prostorová poslechová zkušenost a kompoziční strategie”. Slovenská hudba. 2019, roč. 45, , č. 1, s. 83 – 101.

Hořínka, Slavomír. „Hudba v prostoru, prostor v hudbě“. In: Rataj, Michal – Hořínka, Slavomír – Trojan, Jan – Dvořák, Tomáš. Zvukoprostor – Prostorozvuk. Praha: Nakladatelství AMU, 2018. s. 20–141.

Hořínka, Slavomír. „Interspace: Vzdálenost jako kompoziční strategie“ [online]. Musicologica Brunensia [cit. 6. 9. 2018]. 2018, roč. 53, č. 1, s. 35–50. Dostupné z: http://hdl.handle.net/11222.digilib/138327.

Hořínka, Slavomír. „Barva zvuku a hierarchie v tektonice". In: Hořínka, Slavomír – Mrkvička, Luboš – Pálka, Tomáš – Ivanović, Marko – Štědroň, Miloš ORSON. Orchestrace jako otevřený proces I. AMU, Praha: Triga, 2009. s. 9–52.

Hořínka, Slavomír. Barva zvuku a její úloha ve výstavbě hudební skladby [disertace]. AMU, Praha 2008. ISBN 978-80-904266-2-7.